His work was recently included in the traveling exhibition Soul of a Nation: Art in the Age of Black Power, 1963 – 1983, organized by London’s Tate Modern. In 1967, he published his seminal essay Black is a Color, which challenged the perceptions of identity-focused art. He was awarded a Rome Prize Fellowship in 1964, a Guggenheim Fellowship in 1976, and is a two-time recipient of National Endowment for the Arts Awards (1977, 1984). Saunders currently holds the title of professor emeritus from Cal State East Bay in Hayward. Saunders joined the faculty of California State University East Bay, Hayward, in 1968, eventually becoming an arts professor at California College of the Arts in Oakland, CA. He obtained his BFA from the Carnegie Institute of Technology, before moving to Oakland, California, where he earned his MFA at the California College of Arts and Crafts.
Raymond Saunders was born in 1934 and raised in Pittsburgh, Pennsylvania, where he studied at the Pennsylvania Academy of Fine Arts. Developed in close collaboration with the artist, the exhibition will additionally include recent works from Saunders’ Oakland studio. Focusing on his activities outside of the Bay Area, the exhibition highlights previously unexhibited works created in Saunders’ Paris studio from the 1990s and 2000s, where he would spend each summer. Spanning four decades of Saunders’ remarkable career, 40 Years: Paris/Oakland spans two locations (657 Howard Street, and 1275 Minnesota Street) and features rarely-exhibited works on canvas from the 1980s and installation-based works from the 1990s. Interweaving his own personal experience and anecdotes, Saunders aims to teach this full reality of the modern environment, the losses and victories, as well as the splendor that exists within the everyday. Like jazz, dissonant at first, yet upon closer view, Saunders uses these diverse elements which seem to address the dualities present within life - plight and renewal, lack and abundance, innocence, and despair, as well as the individual and the community. A cult-like figure in the Bay Area art scene, Saunders’ paintings and installation-based works are loaded with rich swaths of paint, interwoven with found materials and his own notational marks, and white-pencil drawings.īlackboard surfaces, left visible through a heavy accumulation of marks and material, tie Saunders’ works inextricably to his role as an educator, as he handwrites simple equations, lettering, and childlike notes onto the work’s surface. Since the 1960s, Raymond Saunders has developed a singular practice defined by an improvisational approach, as he culls eclectic ephemera, signage, detritus, and other materials from his daily life which reflect his living environment. Casemore Kirkeby and Andrew Kreps Gallery are pleased to announce 40 Years: Paris/Oakland, an exhibition of works by Raymond Saunders.
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